[Rec] 2 Page #4

Synopsis: The medical Dr. Owen leads a three-men SWAT team inside the sealed off building to get blood sample from the girl Medeiros to develop an antidote. They are attacked by the zombie-like creatures and Dr. Owen locks a zombie inside a room using a crucifix. He discloses that the patient zero was possessed by the evil and the Vatican sent him to save mankind. Further, they will only leave the building under his voice command. Meanwhile, three teenagers follow a fireman and a man that breaks into the building through the sewage system to rescue his colleague and daughter respectively and they are trapped inside. They are lured and release the evil creature that was locked by Dr. Owen in a room. Out of the blue, the lead team meets the journalist Ângela Vidal hidden inside the building.
Genre: Horror, Thriller
Production: Magnolia Pictures
  5 wins & 3 nominations.
 
IMDB:
6.5
Metacritic:
52
Rotten Tomatoes:
69%
R
Year:
2009
85 min
$27,024
Website
527 Views


Relax.

Jennifer? Mari Carmen?

Jenni...

Mari Carmen!

Where is Jenni?

Mari Carmen, where is the girl?

Take it easy, lady, take it easy!

Sh*t!

What's on her face?

Hold the camera.

Hold it!

-Where's the lighter!

-What now, Tito?

Tito, what are you doing?

Mari Carmen!

We'll all die,

thanks to your f***in' video.

Listen, no one is going to die here...

no one.

And what are you doing?

She's bitten me.

I must stop the infection.

Water... water... water.

-You have to help us, please!

-You have to do something, please!

You can get us out.

Outside is full

of policemen, please!

Take it easy, relax.

Okay.

Everyone relax.

Don't go near the windows

for your own safety.

I repeat, keep away

from the windows.

Tell them we're kids

and have done nothing.

Snipers, code 3.

What happened?

Down! Get down!

What's going on...?

I don't know.

They're shooting.

Come on, come on!

Hey, wait! F***! Hold it.

Jennifer!

Hold it.

Get back, Larra!

Who the f*** are you?

SWAT.

What should we do?

They're cops, they have to help us.

Fast... don't let them get away!

Be quiet! Be quiet!

Where the f*** are they?

Be quiet.

What do we do now?

I want to get out of here,

to get out, please!

Well, f*** you!

We'll never get out of here.

We'll all die for your fault!

Shut the f*** up! Sh*t, shut up!

What's going on?

What is this?

Uri, there's something here.

A helmet.

-What could have happened?

-Give me that.

Daddy...

Is that you, Daddy?

Who's that?

The child.

I'm here.

Jennifer?

Daddy, I'm afraid.

Jennifer?

It's over there.

What should we do?

We must get her out of there.

-What is this?

-Daddy, open up.

Open up, please.

-We have to help her, please!

-No!

The girl... where is the girl?

We've done nothing.

We just want to help her.

-Go away, go...!

-No!

The pistol, the pistol.

Shoot him!

Shoot!

-The pistol!

-Shoot him!

Shoot!

Kill him, please!

Shoot, Mire!

Mire! F***, Mire!

Shoot!

Hold it!

Don't move. Hold it!

-Please help us!

-Don't move... freeze!

We haven't done anything, please.

Relax, relax.

Where is he? Where is he?

-He attacked us.

-But where is he?

I killed him.

Okay, it's okay.

Just give me the gun, slowly.

Why'd you open the door?

You shouldn't have done that!

He talked like a little girl,

and we thought...

What the f*** were you thinking?

What the f*** are you doing here?

I don't know, I don't know.

What do we do now?

You tell me.

That was our last chance.

We're back where we started.

What's wrong with you?

It hurts a lot.

I think he bit me.

-Stay back!

-No, no, what are you doing?

Grab him, we need him.

Relax, kid, just relax.

Everything's okay.

-No, no, no!

-What are you doing?

That door, we must lock them in!

Come on, come on, put her inside.

Quick, close it.

We have to block it.

Get that piece!

Come on, quick, move it.

Sh*t! He got away.

-Don't run, kid.

-Don't let him get away.

Come on, bring him here.

Help me!

Rosso, get the camera,

we need it.

We must record everything,

document it.

-Sh*t!

-What's wrong?

The battery is about to die.

So what?

Let's get this over.

No, we need proof. I told you,

those are the orders!

Okay, the sound

seems to be coming in.

-Does it work?

-I'm working on it.

Come on, Rosso.

Okay!

Recording!

Now I am going to ask you

once again.

Who are you and

what are you doing here?

We came to make a TV show,

and that's it.

A TV show...

...I hid because...

She must be the TV anchor

who came in with the firemen.

-Stay back, we can't be sure.

-Careful.

Make sure.

Come here, come here.

Turn around!

-What is this?

-None of your business. Relax.

Careful.

Relax.

Look at me, look at me....!

-She seems to be okay.

-She started it all.

-What?

-I saw her.

-Who?

-I don't know, it was dark.

The girl Medeiros?

It must be her!

-I don't know.

-Where?

In the penthouse.

There's no one there.

Wherever she is,

it's time to find out.

Let's go.

You shouldn't insist so much,

I warned you last time.

Last time you were lucky.

But not this one...

Now tell me where you are.

Tell me.

In the name of God Almighty,

who orders you,...

tell me where you are.

Everywhere.

No, the original body,

the girl,

that's where you hide.

Don't be so smart.

If you were you'd be running.

Under the protection of God.

He gives me the power to

walk over snakes, and

win over all my enemies.

Where are you?

In your mother's c*nt!

Look there,

you will enjoy it.

Your tricks work no longer.

Tell me where you are.

I will not fear the night terrors,

nor the arrow that flies by day,

nor the plague that

stalks the darkness,

in the name of the Father,

the Son and the Holy Spirit,

tell me where you are.

High above.

Your blasphemy

doesn't scare me.

Where are you?

I told you, high above.

Perhaps you're afraid, priest?

In the penthouse.

She's not there,

there's nothing there.

The light blinds you.

In God's name, where?

The light doesn't let

you see the path.

What a shame, don't you think?

What f***in' light?

You said it was dark.

How'd you see her?

What?

How'd you see her if it was dark?

The camera...

It has night vision.

-I should have imagined.

-What?

...And the angels who

lost their dignity,

but abandoned their own dwellings,

The Lord kept them in eternal

prisons of darkness,

until the final judgment day.

What the f*** are you saying?

Prisons of darkness,

where she is, light is not reflected.

Hot, priest, hot,

but don't get excited.

In the penthouse!

Let's go!

Rosso, did you fix the spotlight?

Yes.

Where are they?

Why don't they attack us?

I don't know, but I don't like it.

Rosso, from now on be on alert.

The night vision will

reveal hidden things,

things we didn't see.

Where do we start?

I think I know.

Come on, quick!

Please, please, no!

-Come on, come on!

-Let's go!

-Rosso!

-I'm... I'm coming.

In you go!

Now what? F***, we were here

before, and there's nothing.

What are we looking for?

Okay, turn the light off.

Turn it all off.

Night vision, turn it on.

What? No, that's impossible...

-What?

-What the f*** is this?

-What do you see?

-A door...in the back.

A door?

What the f*** are you saying?

-I assure you there was a door.

-Of course... A door...

Okay, turn it off.

-Sh*t!

-Guide me.

Go to the back.

In front of you.

You're almost there, 3 steps.

You're touching it.

Get back!

Calm down, okay?

Do you want to get out

of here or not?

Let's go!

Watch it!

Grab on to me, grab on to me.

Be careful.

Rosso, light!

Watch it, chief.

There's nothing here.

The light doesn't

let us see. Turn it off!

Go on, search.

Something must be different.

What do you see?

Do you see anything?

Sh*t!

-Here.

-What?

There was something there.

-Where?

-Up front...

Okay.

Turn it off.

There it is.

Watch it!

Guide us!

Chief, not that way. To your left.

Right in front.

-Watch it!

-There, there!

There's water.

It's... it's like a well.

-Be careful, chief.

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Jaume Balagueró

Jaume Balagueró i Bernat (Catalan pronunciation: [ˈdʒawme βalaɣeˈɾo]; born 2 November 1968) is a Spanish film director widely known for his horror films, most notably the acclaimed REC series. more…

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Submitted on August 05, 2018

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